![]() ![]() The brand originally entered the market in the early 1990s and has been recording double digit growth ever since, rising to the second most popular brand in the country.Įntering the ranking in 9th position, after dropping out last year, is ITC-owned Gold Flake. British brand Rothmans’ brand value has been boosted by its strengthened position in the Russian market. There are two new entrants into this year’s ranking, Rothmans (brand value US$3.1 billion) and Gold Flake (brand value US$3.0 billion). Recent announcements from the Indonesian Government, however, declaring plans to raise minimum prices of cigarettes by a third in 2020 in attempt to cut its smoking rates that currently stand at some of the highest in the world, poses an uncertain future for the brand. Sampoerna (brand value up 1% to US$3.3 billion) has been the top selling brand in Indonesia for over 10 years, where consumption of flavoured tobacco continues to be popular and unregulated. Newport has been dealt a similar fate in the face of increasing regulation around menthol cigarettes and has dropped out of the Brand Finance Tobacco 10 ranking this year, following a 6% drop in brand value. Historically, Camel has been a leading brand in the menthol market, however with more countries banning these products, including Canada, the US and the EU as of May 2020, the brand’s sales, and consequently its brand value, has suffered. In contrast, fellow JTI-owned brand Camel has suffered the largest drop in brand value in the ranking, down 14% to US$3.4 billion. JTI began manufacturing Winston cigarettes in Greece last year, simultaneously boosting it production and export capabilities and widening its global footprint to a further nine countries in the EU. Winston is currently sold in a staggering 120 countries worldwide, and is the second best-selling cigarette brand globally, falling only behind long-standing leader Marlboro. Three brands in the ranking have recorded solid brand value growth – Pall Mall, Winston and Copenhagen – with Winston leading the way, seeing an impressive 9% increase in brand value to US$4.1 billion. However, with the e-cigarette market now very much under the limelight, these tobacco giants will have to plan their next steps wisely if they want to maintain their dominance and relevance globally.” We have witnessed the damage that plain packaging has caused the industry and the subsequent shift towards smoke free, supposedly healthier, alternatives. “Tobacco brands are certainly familiar with being criticised and scrutinised closely, having had to continually react to ever-changing consumer tastes and heightened regulation. Its significant investment in e-cigarette brand Juul and development of its own brand IQOS have been damaged by tightened regulation of the e-cigarette market, with the US and China banning fruit flavoured e-cigarette products and with leading retailer Walmart banning the products all together.ĭavid Haigh, CEO of Brand Finance, commented: Its decision to spearhead the revolution in the tobacco sector towards cigarette alternatives has had mixed fortunes for the group. Philip Morris International is championing a smoke-free future through its new campaign ‘unsmoke the world’, contradicting its 173-year history. Marlboro’s high shipment volumes have largely been driven by growth in Indonesia, Saudi Arabia, Turkey and the Philippines, where the brand has benefited from narrowing price gaps with the below premium price segment. Philip Morris International-produced and Altria-owned Marlboro is the world’s top selling cigarette brand and has maintained solid sales and shipment volumes over the years in the face of changing tastes and greater scrutiny of the industry as a whole. The tobacco giant remains in a league of its own in the sector with the second most valuable tobacco brand, L&M, significantly behind with a brand value of US$6.3 billion. ![]() Marlboro has retained its title of the world’s most valuable tobacco brand, despite recording a 3% decrease in brand value to US$32.7 billion, according to the latest report by Brand Finance, the world’s leading independent brand valuation consultancy. View the full Brand Finance Tobacco 10 report here L&M named sector’s strongest, Brand Strength Index (BSI) score 76.9 out of 100. ![]()
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![]() We are exceedingly blessed end evermore determined to carry on in the same spirit that has touched the lives of thousands of people since its beginning. ![]() Today, Christ for Humanity is a monument to the Lord's work in the generous and caring hearts of our Founders. From that passionate effort, Christ for Humanity was born. Mark & Tina immediately responded to God's inspiration and organized a dental mission trip. They had discovered that dental issues were a major problem, and there was no help available. During their excursion they became aware of a need among the local people. ![]() Being people oriented, Mark & Tina set out to meet the inhabitants they might encounter in remote mountain area. John 14:3 ESVĬhrist for Humanity is the dream that began in the heart of Mark & Tina while vacationing in the Copper Mountain area of Mexico. As many were preparing to leave church to go home, the Lord graciously relieved his suffering and called Mark to his new home.ģ And if I go and prepare a place for you, I will come again and will take you to myself, that where I am you may be also. His peaceful passing occurred as Sunday morning prayer was being lifted up at many churches, while friends and loved ones asked for God's perfect peace for Mark and his family. ![]() Most recently a series of medical challenges which began in December 2016, required him to be hospitalized until February 12, 2017. It is with joy, because of the action of Jesus that made Mark's salvation a reality.Īlthough he was always the voice of encouragement and the source of laughter, Mark had very difficult health issues for many years. It is with sorrow, because our hearts are broken knowing that he will be so desperately missed. It is with the deepest sorrow, mixed with the greatest joy, that we announce the passing of our beloved friend and Founder Mark Rollins. ![]() ![]() ![]() ** Move the video around it's group and even change it's group. In order to cancel they sent a technician to analyze the connection at my house. I decided to cancel service because I had a terrible internet connection. ** Edit the video title, subtitle and keep your own set of user notes. Ive had better customer service at the DMV than from this company. DirecTV sued Rutherford for allegedly pirating its services in order to. like DIRECTV or a phone company like Sprint or T-Mobile if DIRECTV satellite. His Yelp rating rose to 1.5 stars, but customers scorched him and the place. ![]() 32 reviews 2 of 7 Quick Bites in Seymour Quick Bites Chinese Asian. The wealthier customers, not as attuned to Apple's greatness and often. These tutorials start at the very beginning and cover many concepts! Don't be put off by the quantity of lessons - you will start at the beginning and soon you will use the lessons as a reference on how to do specific things! Paynes phone number, address, insurance information, hospital affiliations and. Search for support topics, find answers to common questions, and get helpful resources right here. Having a good working knowledge of spreadsheets is essential in todays evolving World. Welcome to Support Need help We’re here for you. Spreadsheets are a part of everyday life and they can assist in so many ways. Learn how to use the World's favourite spreadsheet - Microsoft Excel - with this collection of Over 200 tutorial video lessons. ![]() ![]() ![]() After 12 months of ownership, Intego asks that you pay $30 to renew your subscription for another year. The program also uses URLs to decide whether a message is spam-Intego updates a database of spammy URLs once a month. Likewise, you can edit the list of attachment types that cause a message to be identified as spam (the program filters messages with. You can add, edit, and remove blacklist and whitelist entries. You can view the contents of its spam corpus (called the Lexical Dictionary in this program) and delete individual entries or the entire contents of the corpus (to reset it, for example). Personal Antispam X4 gives you a little more control. ![]() Other than correcting it when it wrongly identifies messages as spam, you have no options for adjusting its behavior. Like other utilities that include Bayesian filters, it learns as it goes. The program provides no access to its blacklist, its spam corpus (the collection of words the Bayesian filter uses to identify spam), or its filters. (For definitions of some important spam-fighting terms, seeĭesigned for ease of use, SpamSweep-which installs an IP and domain-name blacklist, builds a whitelist of your approved senders, and offers Bayesian filtering-is the least configurable of the lot. Some also have a “revenge” feature that lets you report spam to antispam agencies or to what the program believes is the spammer’s ISP. Nearly all include blacklists, whitelists, and a variety of statistical-learning filtering schemes. Are there hidden costs (such as paid subscription updates)?Įach of these utilities uses a variety of common techniques to filter spam.Is it easy to train (or is training unnecessary)?.Does it support a variety of spam-fighting techniques?.Does it deal with spam locally or remotely?.Which e-mail systems does it support (POP, IMAP, or both)?.Is the software easy to install and configure?. ![]() In addition, we considered the following key questions: We then fed each program the same bucket of junk, to see how it dealt with some egregious forms of spam, right out of the box. We examined each utility’s interface, ease of use, and mode of operation, and made some general judgments about its comparative effectiveness at eliminating spam-we say “general” because good spam filters get better with time and adapt to spam’s changing nature. ![]() ![]() ![]() However, it is clear from this assessment of the sources, that difference between the Welsh approach to war and that of their Norman and English counterparts was not significantly different. Medieval writers established an image of Welsh soldiering that is quite often backward and barbaric, and although some refer to Welsh skill in combat, they also emphasise the weaknesses of their approach and their unwillingness to partake in open battle, preferring night attacks and ambushes. Finally this is brought together in the final section to discuss the reality of soldiering in medieval Wales. There is also a discussion on the form of the shield. ![]() The second is formed by a discussion of the different types of military equipment that would have been used, including the bow and arrow, the spear, the sword and other miscellaneous weapons. The first examines the variety of evidence available to study the art of war in medieval Wales, and assesses its value to the proposed research. The thesis is separated into three sections. This thesis has revisited the historical evidence, and together with the analysis of literature and virtually untouched archaeological material, in order to determine the accuracy of this image. The established image of the art of war in medieval Wales is based on the analysis of historical documents, the majority of which have been written by foreign hands, most notably those associated with the English court. The conclusion discusses the stakes of the stereotyping and othering of Muslims by digital war games, and highlights some challenges to Islamophobia in the digital games industry. These games immerse players in patriarchal fantasies of “militarized masculinity” and place a “mythical Muslim” before their weaponized gaze to be virtually killed in the name of US and global security. Navy SEALs (2002), Full Spectrum Warrior (2004), Close Combat: First to Fight (2005), Battlefield 3 (2011), Army of Two (2008), Call of Duty 4: Modern Warfare (2007), Medal of Honor (2010), and Medal of Honor: Warfighter (2012). The third section probes “mythical Muslim” stereotypes in ten popular digital war games released between 20: Conflict: Desert Storm (2002), Conflict: Desert Storm 2 (2003), SOCOM U.S. The second section contextualizes the contemporary production and consumption of digital war games with regard to the “military-digital-games complex” and real and simulated military violence against Muslims, focusing especially on the US military deployment of digital war games to train soldiers to kill in real wars across Muslim majority countries. The article’s first section establishes the relevance of the study of digital war games to feminist games studies, feminist international relations, and post-colonial feminism. This article argues that digital war games communicate misleading stereotypes about Muslims that prop up patriarchal militarism and Islamophobia in the context of the US-led Global War on Terror. ![]() ![]() Apple typically uses 35% opacity to indicate disabled elements. ![]() This is often used to indicate state, like volume or Wi-Fi strength. If needed, it’s possible to use different levels of opacity to provide shading. Given colour is ignored, template image artwork should be created as a solid colour icon. Template images are preferred, because they’re automatically tinted to match the system icons in light mode and dark mode, without the need for different assets. A template image is a standard image, but macOS will ignore the colour, and only use the alpha channel information. Menu bar extras can be full colour, or monochrome template images. There should typically not be any padding, unless it is needed to assist with vertical centering. Assets can be a different size, provided they’re not taller than 22pt. A good size for a circular item to feel the same weight as system menu bar items is 16×16pt. Menu bar extra size #ĭespite the variation in possible menu bar heights, the working area for menu bar extras is fixed at 22pt, and items can not be taller. On a 16-inch MacBook Pro, it’s almost the same, but the middle display scaling menu bar height is 33pt, rather than 34pt. On a 14-inch MacBook Pro the menu bar can be 27pt, 29pt, 34pt, 37pt, or 43pt tall, depending on the display scaling setting. When display scaling is used, the menu bar changes height to ensure it always fits the camera housing. ![]() It’s interesting to see how the menu bar has grown over the past few decades.ġ4-inch and 16-inch MacBook Pros with a camera housing at the top of the screen have an even taller menu bar, measuring 37pt. The menu bar screenshots below are from 512 Pixels and the Graphical User Interface Gallery. Those sizes are in points, where 1 point is equal to 1 non-Retina pixel and 2 Retina pixels. The height of the Mac menu bar has grown a little over time, starting at 19pt on System 1, growing to 21pt for the Mac OS X beta, then 22pt in Yosemite, and finally 24pt in Big Sur, which is where it stands today. This article aims to provide additional details and context needed to create icons for macOS menu bar extras. Apple’s HIG is great, but it doesn‘t contain much information related to designing menu bar extras. ![]() ![]() ![]() Each double violin concerto also had a concertante violoncello part, which did not have a fixed role, sometimes playing solo, sometimes responding to the two violin soloists. Probably initially composed for performance in the Ospedale della Pietà, the collection of 12 concertos was grouped in four cycles of three, each containing a concerto for 1, 2 and 4 concertante solo violins. In her preface to the Dover edition, Vivaldi scholar Eleanor Selfridge-Field gives an account of the performance and publication history of L'estro armonico. Charles Burney (1726–1814), Rees's Cyclopædia Santa Maria della Pietà, Venice, the church built on the site of the Ospedale della Pietà 7 in F major for four violins, cello and strings, RV 567: 6 in A minor for solo violin and strings, RV 356:Ĭoncerto No. 5 in A major for two violins, cello and strings, RV 519:Ĭoncerto No. 4 in E minor for four violins, cello and strings, RV 550:Ĭoncerto No. 3 in G major for solo violin and strings, RV 310:Ĭoncerto No. 2 in G minor for two violins, cello and strings, RV 578:Ĭoncerto No. 1 in D major for four violins, cello and strings, RV 549:Ĭoncerto No. ![]() L'estro armonico pioneered orchestral unisono in concerto movements. The cello gets solistic passages in several of the concertos for four and two violins, so that a few of the concertos conform to the traditional Roman concerto grosso format where a concertino of two violins and cello plays in contrast to a string orchestra. In each consecutive group of three concertos, the first is a concerto for four violins, the second for two violins, and the third a solo violin concerto. The concertos belong to the concerto a 7 format, that is: for each concerto there are seven independent parts. Continuo, printed as a figured bass for violone and harpsichord.In the 1711 first publication each concerto was printed in eight parts: L'estro armonico is a set of 12 concertos for stringed instruments. Vivaldi composed a few concertos specifically for L'estro armonico, while other concertos of the set had been composed at an earlier date. ![]() It was also the first time Vivaldi chose a foreign publisher, Estienne Roger, instead of an Italian one. Vivaldi's Opp. 1 and 2 had only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. L'estro armonico (the harmonic inspiration) was published as Antonio Vivaldi's Op. 3 in Amsterdam in 1711 and dedicated to Ferdinando de'Medici, Grand Prince of Tuscany under the title of "Ferdinando III". Vivaldi scholar Michael Talbot described the set as "perhaps the most influential collection of instrumental music to appear during the whole of the eighteenth century". The continuo part was printed as a figured bass for violone and harpsichord. Each concerto was printed in eight parts: four violins, two violas, cello and continuo. It was also the first time he chose a foreign publisher, Estienne Roger, instead of an Italian. 2, only contained sonatas, thus L'estro armonico was his first collection of concertos appearing in print. 3, is a set of 12 concertos for stringed instruments by Italian composer Antonio Vivaldi, first published in Amsterdam in 1711. L'estro armonico ( The Harmonic Inspiration), Op. Set of 12 violin concertos by Antonio Vivaldi Title page of the first edition ![]() ![]() There's no perfect way to recover absolutely everything, especially if a lot of time has passed since you lost your data, but this app will certainly help you recover a large amount of files that you thought had been lost forever. The files in green can be recovered without any trouble, while files in red will make things a little more complicated for you. Recoverit Essential costs 79.95 a year or 89.95 for lifetime access. If you are looking for unlimited data recovery, you can choose from three different packages, depending on your needs and budget. You can select and scan whole hard drives, or just partitions or flash memories.Īfter the scan, you'll see a list of the files that you can recover along with the status of each. The free version of Recoverit allows you to recover up to to 100 MB of data without paying a single dollar. That's because the less file activity there is in the affected hard drive, the higher your chances of recovering your data. This article contains complete details about LOST.DIR files and how to recover LOST.DIR files from memory card in case you have lost them. Once it lost, one might find it difficult to recover. LOST.DIR files can often contain important information. You need to install the app on a different hard drive than the one you are going to search for your lost files. How to Recover Lost Dir Files from Memory Card. Wondershare Data Recovery is an app that enables you to recover files that were accidentally deleted - it's even possible to recover them after a reformatting. ![]() ![]() Losing files is one of the tragic consequences of this volatile digital world we live in, but unlike in real life, in the digital world there's always the possibility that you can recover your data. ![]() |
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